Same bed, but it feels just a little bit bigger nowOur song on the radio, but it don't sound the sameWhen our friends talk about you, all it does is just tear me down'Cause my heart breaks a little when I hear your nameIt all just sounds like, oohToo young, too dumb to realizeThat I should've bought you flowers and held your handShould've gave you all my hours when I had the chanceTake you to every party, 'cause all you wanted to do was danceNow my baby is dancing, but she's dancing with another manMy pride, my ego, my needs and my selfish waysCaused a good strong woman like you to walk out my lifeNow I'll never, never get to clean up the mess I made, ohAnd it haunts me every time I close my eyesIt all just sounds like, oohToo young, too dumb to realizeThat I should've bought you flowers and held your handShould've gave you all my hours when I had the chanceTake you to every party, 'cause all you wanted to do was danceNow my baby is dancing, but she's dancing with another manAlthough it hurtsI'll be the first to say that I was wrongOh, I know I'm probably much too lateTo try and apologize for my mistakesBut I just want you to knowI hope he buys you flowers, I hope he holds your handGive you all his hours when he has the chanceTake you to every party'Cause I remember how much you loved to danceDo all the things I should've doneWhen I was your manDo all the things I should've doneWhen I was your man
All we officially knew about the film is that it is a continuation of Maxine's quest for fame in 80s Los Angeles, until Mia revealed a few details in an interview with TotalFilm. "I see MaXXXine as a superhero movie that's how I read the script," the actor said in April. "Maxine, as a character, has come a long way.
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The jump scare is a horror film trope, where an abrupt change in image accompanied with a loud sound intends to surprise the viewer.[15] This can also be subverted to create tension, where an audience may feel more unease and discomfort by anticipating a jump scare.[15]
Erotic horror is a subgenre of horror fiction that blends sensual and sexual imagery with horrific themes for the sake of sexual arousal. Erotic horror has had influences on French[27] and American horror cinema. The works of Jean Rollin, such as Le Viol du Vampire and Fascination, are considered quintessential erotic horror films, blending deeply sexual imagery with gore.[27] American cinema has also featured notable erotic horror film franchises, such as Candyman.[28] An example of a British erotic horror film series is Hellraiser.[29] Alien features heavy erotic imagery, with the design of the Xenomorph by H. R. Giger featuring both phallic and vaginal imagery, intended to symbolize patriarchal guilt[30] as well as sex, rape, and pregnancy.[31]
In their book Gothic film, Richard J. McRoy and Richard J. Hand stated that "Gothic" can be argued as a very loose subgenre of horror, but argued that "Gothic" as a whole was a style like film noir and not bound to certain cinematic elements like the Western or science fiction film. The term "gothic" is frequently used to describe a stylized approach to showcasing location, desire, and action in film. Contemporary views of the genre associate it with imagery of castles at hilltops and labyrinth like ancestral mansions that are in various states of disrepair. Narratives in these films often focus on an audiences fear and attraction to social change and rebellion. The genre can be applied to films as early as The Haunted Castle (1896), Frankenstein (1910) as well as to more complex iterations such as Park Chan-wook's Stoker (2013) and Jordan Peele's Get Out (2024).
The earliest Indian horror films were films about ghosts and reincarnation or rebirth such as Mahal (1949). These early films tended to be spiritual pieces or tragic dramas opposed to having visceral content. While prestige films from Hollywood productions had been shown in Indian theatres, the late 1960s had seen a parallel market for minor American and European co-productions to films like the James Bond film series and the films of Mario Bava. In the 1970s and 1980s, the Ramsay Brothers created a career in the lower reaches of the Bombay film industry making low-budget horror films, primarily influenced by Hammer's horror film productions, with little known about their production or distribution history. The Ramsay Brothers were a family of seven brothers who made horror films that were featured monsters and evil spirits that mix in song and dance sections as well as comic interludes. Most of their films played at smaller cinema in India, with Tulsi Ramsay, one of the brothers, later stating "Places where even the trains don't stop, that's where our business was." Their horror films are generally dominated by low-budget productions, such as those by the Ramsay Brothers. Their most successful film was Purana Mandir (1984), which was the second highest-grossing film in India that year. The influence of American productions would have an effect on later Indian productions such as The Exorcist which would lead to films involving demonic possession such as Gehrayee (1980). India has also made films featuring zombies and vampires that drew from American horror films opposed to indigenous myths and stories. Other directors, such as Mohan Bhakri made low budget highly exploitive films such as Cheekh (1985) and his biggest hit, the monster movie Khooni Mahal (1987).
In another study done by John Greene & Glenn Sparks, it was found that the audience tends to experience the excitation transfer process (ETP) which causes a physiological arousal in audience members. The ETP refers to the feelings experienced immediately after an emotion-arousing experience, such as watching a horror film. In this case, audience members' heart rate, blood pressure and respiration all increased while watching films with violence. Audience members with positive feedback regarding the horror film have feelings similar to happiness or joy felt with friends, but intensified. Alternatively, audience members with negative feedback regarding the film would typically feel emotions they would normally associate with negative experiences in their life.[citation needed]
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