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Prior to the release of Dracula (1931), historian Gary Don Rhodes explained that the idea and terminology of horror film did not exist yet as a codified genre, although critics used the term "horror" to describe films in reviews prior to Dracula's release. "Horror" was a term used to describe a variety of meanings. In 1913, Moving Picture World defined "horrors" as showcasing "striped convicts, murderous Indians, grinning 'black-handers', homicidal drunkards" Some titles that suggest horror such as The Hand of Horror (1914) was a melodrama about a thief who steals from his own sister. During the silent era, the term horror was used to describe everything from "battle scenes" in war films to tales of drug addiction. Rhodes concluded that the term "horror film" or "horror movie" was not used in early cinema.
Some critics have suggested horror films can be a vessel for exploring contemporary cultural, political and social trends. Jeanne Hall, a film theorist, agrees with the use of horror films in easing the process of understanding issues by making use of their optical elements.[19] The use of horror films can help audiences understand international prior historical events occurs, for example, to depict the horrors of the Vietnam War, the Holocaust, the worldwide AIDS epidemic[20] or post-9/11 pessimism. In many occurrences, the manipulation of horror presents cultural definitions that are not accurate,[according to whom?] yet set an example to which a person relates to that specific cultural from then on in their life.[clarification needed][22]
In the 1970s a shift in style and type of Hong Kong horror films began being produced, depicting more explicit depictions of sex. Actor Kam Kwok-leung who appeared in some of these films such as the Shaw Brothers produced The Killer Snakes (1974) stated that the studio's "attitude was rather shameless; they threw in nude scenes or sex scenes regardless of the genre [...] As long as they could insert these scenes, they didn't mind throwing logic out the window. The Killer Snakes was no exception" The film was directed by Kuei Chih-Hung, it was his first horror film and led to him being one of the few Hong Kong directors to specialize in horror. These films were sometimes described as exploitation, characterized by their gratuitous or excessive nudity, extreme violence, and gore are generally regarded by critics as "bad" rather than quality or serious cinema. Keui would return to horror in various films after such as Ghost Eyes (1974), Hex (1980), Hex vs Witcraft (1980), Hex After Hex (1982) Curse of Evil (1982) and The Boxer's Omen (1984). These films were swept aside by the late 1980s when an even more raw form of exploitation cinema arose with the Category III film creation in 1988. Category III films from the era such as Dr. Lamb (1992) and The Untold Story (1993) were linked to horror from their excessive violence and blood-letting of their serial killer central characters.
Japan
The Korean horror film originated in the 1960s and became a more prominent part of the countries film production in the early 2000s. While ghosts have appeared as early as 1924 in Korean film, attempting to chart the history of the genre from this period was described by Alison Peirse and Daniel Martin, the authors of "Korean Horror Cinema" as "problematic", due to the control of the Japanese colonial government blocking artistic or politically independent films. Regardless of settings or time period, many Korean horror films such as Song of the Dead (1980) have their stories focused on female relationships, rooted in Korean Confucianism tradition with an emphasis on biological families. Despite the influence of folklore in some films, there is no key single canon to define the Korean horror film. Korean horror cinema is also defined by melodrama, as it does in most of Korean cinema.
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Five Nights at Freddy's (FNAF) is a popular survival horror game that first appeared in 2014. In the game, the player takes on the role of a night security guard who must monitor a pizzeria from midnight to 6 AM. The animatronic animals that entertain during the day become aggressive at night and try to attack the guard.
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