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The Housemaid (1960) is widely credited as initiating the first horror cycle in Korean cinema, which involved films of the0️⃣ 1960s about supernatural revenge tales, focused on cruelly murdered women who sought out revenge. Several of these films are in0️⃣ dept to Korean folklore and ghost stories, with stories of animal transformation. Traces of international cinema are found in early0️⃣ Korean horror cinema. such as Shin Sang-ok's Madame White Snake (1960) from the traditional Chinese folktale Legend of the White0️⃣ Snake. Despite bans of Japanese cultural products that lasted from 1945 to 1998, the influence of Japanese culture are still0️⃣ found in Kaibyō eiga (ghost cats) themed films, such as A Devilish Homicide (1965) and Ghosts of Chosun (1970). Other0️⃣ 1960s films featured narratives involving kumiho such as The Thousand Year Old Fox (Cheonnyeonho) (1969). These tales based on folklore0️⃣ and ghosts continued into the 1970s. Korea also produced giant monster films that received release in the United States such0️⃣ as Yongary, Monster from the Deep (1967) and Ape (1976).
After the success of private television operator Canal+ from the 1990s0️⃣ onward investing in the production of films by the likes of Álex de la Iglesia (The Day of the Beast;0️⃣ 1995) or Alejandro Amenábar (Tesis; 1996 and The Others; 2001) through Sogecine, other television companies such as Antena 3 and0️⃣ Telecinco (through Telecinco Cinema) came to see horror as a profitable niche, and the genre thereby became a successful formula0️⃣ for box-office hits in the 2000s, underpinning the wider switch in the industry from the largely State-dependent model of the0️⃣ 1980s to the hegemony of mass media holdings in domestic film production. Jaume Balagueró's The Nameless (1999), which became a0️⃣ popular film both in Spain and abroad, paved the way for new Spanish horror films. Filmax tried to capitalise on0️⃣ the success of the former film by creating the Fantastic Factory genre label and eventually came to develop one of0️⃣ the most successful Spanish film franchises with the Rec film series. The success of Juan Antonio Bayona's The Orphanage (2007)0️⃣ ensued with the release of ersatz gothic films featuring creepy children. Other key names for the development of the genre0️⃣ in the 21st-century Spanish industry include Juan Carlos Fresnadillo and Paco Plaza.[213]
In another study done by John Greene & Glenn0️⃣ Sparks, it was found that the audience tends to experience the excitation transfer process (ETP) which causes a physiological arousal0️⃣ in audience members. The ETP refers to the feelings experienced immediately after an emotion-arousing experience, such as watching a horror0️⃣ film. In this case, audience members' heart rate, blood pressure and respiration all increased while watching films with violence. Audience0️⃣ members with positive feedback regarding the horror film have feelings similar to happiness or joy felt with friends, but intensified.0️⃣ Alternatively, audience members with negative feedback regarding the film would typically feel emotions they would normally associate with negative experiences0️⃣ in their life.[citation needed]
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